描述

大部分瓷器的年代标记为1848，带有镀金的圆形“REPUBLIQUE FRANCAISE”标记。

杯子和平底碟的年代标记为1855，带有蓝色的圆形“LOUIS PHILIPPE”标记。

所有瓷器上都有不同的刻线标记。

所有瓷器都带有镀金的矢状纹边缘，精细绘制了一串花卉，并大多带有铂金的亮点。

这个套装包括以下物品：

• 一个茶壶和盖子

• 一个糖罐和盖子

• 一个奶罐

• 一个颤抖碟

• 一个五边形托盘，带有铜鎏金的手柄

• 一只茶杯和碟子，或者是小盘子

这些瓷器是精美的装饰品，通常用于精致的茶点或咖啡仪式。代表了19世纪中叶法国历史的一段时期，包括路易·菲利普（Louis Philippe）的统治时期和法国第二共和国（1848年宣布），以及拿破仑三世时代。花卉由Eugène Richard 精心绘制，Eugène Richard是一位塞弗尔工厂的画师，负责在瓷器上进行精湛的绘画装饰工作。他的作品主要包括各种不同的装饰，如花卉、图案等。他的工作有助于使塞弗尔陶瓷成为具有卓越艺术价值的瓷器，因其独特的装饰而备受欢迎。

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手提五边形托盘在塞弗尔套装中的罕见性使其更具独特性和收藏价值。塞弗尔陶瓷以其独特的工艺和装饰而闻名，因此具有少见的元素或装饰会使特定套装或物品显得格外珍贵。这种五边形托盘可能为该套装增加了独特性，并吸引了对瓷器收藏和艺术品鉴赏感兴趣的人。在古董市场上，这种罕见性通常会影响物品的珍贵程度和市场价值。

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千柱工艺

 

"千柱" 装饰通常表现为在瓷器的表面上创建垂直的、细长的褶皱状纹理，或凹或凸（杯子为凸，碟子为凹），这些褶皱覆盖了器物的表面，为其增添了独特的纹饰。这种装饰风格是塞弗尔陶瓷的一种经典装饰之一，被用于制作瓶、罐、碗、碟子和其他陶瓷器皿。通常，这些装饰还会与其他装饰元素，如花卉、黄金边缘等结合，创造出精美的瓷器作品，如这个套装最后呈现的样子。

塞弗尔陶瓷因其高质量的制作和精美的装饰而著名，"千柱" 是其中的一个例子，它展示了陶瓷工匠的高超技艺和对细节的关注。这些瓷器通常在古董市场上备受欢迎，因为它们代表了法国陶瓷制作的精湛传统。

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出处

2004-2022 安恩和戈登·盖蒂（Ann and Gordon Getty）的收藏，美国纽约有影响力的收藏家和慈善家。

安恩与戈登·盖蒂的艺术收藏品包括各种艺术品，包括绘画、雕塑和装饰艺术品。安恩与戈登·盖蒂以其在艺术和文化领域的广泛慈善工作而闻名，他们的艺术收藏反映了他们对艺术收藏和支持艺术的热情。安恩和戈登·盖蒂的艺术收藏和慈善活动在促进艺术和文化的发展、保护文化遗产以及培养新一代艺术家和文化领域的专业人士方面产生了积极的影响。他们的支持和影响有助于丰富社会的文化生活，并为未来的艺术发展奠定了坚实的基础。

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【EN】

Most of the porcelain pieces are date-marked 1848, bearing the gilded circular "REPUBLIQUE FRANÇAISE" stamp.

The cup and flat saucer are marked 1855, with a blue circular stamp reading "LOUIS PHILIPPE".

Each piece also carries distinct incised marks.

All porcelain items feature gilded chevron-style borders, delicately painted floral garlands, and are mostly highlighted with platinum accents.

This set includes the following items:

• One teapot with lid

• One sugar bowl with lid

• One milk jug

• One trembleuse saucer

• One pentagonal tray with gilt-bronze handles

• One teacup with saucer or small dish

 

These porcelain pieces are refined decorative wares, typically used for elegant tea or coffee service. They reflect a distinct historical period of mid-19th-century France, spanning the reign of Louis Philippe, the proclamation of the Second French Republic (1848), and the era of Napoleon III.

The floral decorations were meticulously painted by Eugène Richard, a skilled decorator at the Sèvres Manufactory, known for his work on floral motifs, patterns, and other ornamental painting. His contributions helped elevate Sèvres porcelain to its esteemed artistic status, making these works highly desirable for their exquisite craftsmanship.

The inclusion of a pentagonal tray with handles is particularly rare among Sèvres sets, enhancing the uniqueness and collectible value of this ensemble. Sèvres porcelain is renowned for its distinctive artistry and technical refinement, and the presence of such uncommon elements significantly increases both its desirability and market worth among collectors and connoisseurs.

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Mille-Cannelures Decoration

The so-called “mille-cannelures” (thousand flutes) technique refers to a decorative approach where vertical, fine ribbed textures—either convex or concave—are applied to the porcelain surface. On this set, the cups display raised fluting, while the saucers are incised. This type of decoration is a classic feature of Sèvres porcelain, often combined with floral painting and gilded detailing, as seen in this set.

Renowned for its high-quality production and delicate surface decoration, mille-cannelures demonstrates the exceptional skill of Sèvres artisans and their precise attention to detail. Porcelain works with this technique are highly valued on the antiques market and are emblematic of the refined tradition of French ceramic art.

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Provenance

Collection of Ann and Gordon Getty, 2004–2022
The Gettys, based in New York, were among the most influential American collectors and philanthropists in the arts.

Their collection encompassed an extensive range of works, including paintings, sculpture, and decorative arts. Known for their deep engagement with the cultural sector, the Gettys’ legacy reflects a passion for collecting and supporting the arts. Their philanthropy played a vital role in advancing cultural preservation, encouraging emerging artists, and enriching the broader public appreciation of art and heritage. Their support has left a lasting impact on the arts landscape and helped secure the future of artistic and cultural initiatives.